1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..  Related Paintings of Francisco de Zurbaran :. | christ crucified | Probable self portrait of Francisco Zurbaran as Saint Luke, | st, luis beltran | The adoration of the shepherd | the apotheosis of st |
Related Artists:
Martin Henri
Toulouse 1860-Labastide-du-Vert 1943
Jenaro Perez Villaamil
1807-1854 was born in Ferrol, Galicia. He was a remarkable painter and prime example of the Galician Romantic Movement. In his work, particularly in his landscapes, he shows an unmistakable taste for the English painters of the same period. Most of his paintings are exhibited at Museo del Prado in Madrid, the city where he died.
peter breughel the elder
the proverb of the bird-nester. 1568 vienna kunsthistorisches museum.